Download PDF by Dawn B. Sova: Banned Plays: Censorship Histories of 125 Stage Dramas

By Dawn B. Sova

ISBN-10: 0816040184

ISBN-13: 9780816040186

As public tastes switch, so does the character of well known drama. within the 5th century BCE, Aristophanes' "Lysistrata" attracted censors for its topics of wifely uprising and intercourse. From the fifteenth to the 18th centuries, performs have been censored basically for spiritual or political purposes. within the nineteenth century, social and sexual purposes for censorship emerged, and glossy moralists have objected to works by means of such playwrights as Arthur Miller, Eugene O'Neill, and Lillian Hellman. such a lot lately, performs facing issues reminiscent of homosexuality and AIDS have garnered undesirable awareness from censors. This paintings outlines the censorship heritage of a hundred twenty five vintage performs from precedent days to the current. every one access offers the name(s) lower than which the play has seemed, the date it used to be produced and state of unique creation, a precis of the play, its censorship historical past, and recommendations for extra reading.

Among the works lined are: "Angels in the USA - Millennium Approaches", Tony Kushner, 1991; "Le Barbier de Seville", Pierre Beaumarchis, 1775; "The Children's Hour", Lillian Hellman, 1934; "The Crucible", Arthur Miller, 1953; "Henry IV, half 2", William Shakespeare, 1598; "Jesus Christ Superstar" Tim Rice and Andrew Lloyd Webber, 1971; "Oedipus Rex", Sophocles, 425 BCE; "Oh! Calcutta", Kenneth Tynan, 1969; "Salome", Oscar Wilde, 1896; and "Le Tartruffe", Moliere, 1669.

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Banned Plays: Censorship Histories of 125 Stage Dramas by Dawn B. Sova PDF

As public tastes switch, so does the character of well known drama. within the 5th century BCE, Aristophanes' "Lysistrata" attracted censors for its issues of wifely uprising and intercourse. From the fifteenth to the 18th centuries, performs have been censored basically for non secular or political purposes. within the nineteenth century, social and sexual purposes for censorship emerged, and sleek moralists have objected to works via such playwrights as Arthur Miller, Eugene O'Neill, and Lillian Hellman.

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When Mansell returns to Lutterton Lodge, he recommends that Sherrington meet with Elwood and “tell him everything,” if he values Grace: “She can’t bear any more. ” Mansell tells Sherrington to speak with Elwood so Grace will not have to choose between them, and Sherrington agrees. ” She promises to wait in his study until he returns, but she becomes giddy and dazed and wanders out into the night soon after he leaves. ” Elwood seems unable to grasp what he hears and asks Sherrington to explain what he means, calling him a “libertine” when Sherrington states, “She may .

King and Peter Masterson Original date and place of production: April 17, 1978, Entermedia Theater (Off-Broadway), New York, New York Characters: Aggies Football Team, Amber, Chip Brenster, Sheriff Ed Earl Dodd, Farmer, Girls at Miss Mona’s (Beatrice, Dawn, Curla, Eloise, Ginger, Linda Lou, Ruby Rae, Taddy Jo), Governor, Miss Wulla Jean, Jewel, Edsel Mackey, Doatsey May, Mayor Rufus Poindexter, Reporters, Rio 21 THE BEST LITTLE WHOREHOUSE IN TEXAS Grande Band Leader, C. J. Scruggs, Shy, Leroy Sliney, Mona Stangley, Senator Wingwoah Filmed versions: The Best Little Whorehouse in Texas (1982) SUMMARY The Best Little Whorehouse in Texas is a musical based on the true life story of Edna Milton and the “Chicken Ranch,” a brothel that was started in 1890 in LaGrange, Texas, and closed down by right-wing Christians in 1973.

The individual is not permitted to exist unmolested, for his very existence poses a threat to society. The ending incorporates Mayakovsky’s disillusionment with the revolution he had fought so hard to achieve and conveys his unhappiness with Russia in the 1920s and his belief that the bureaucrats, not the people, would have their way. The play anticipates the powerful campaign that the ruling bodies would undertake in the 1930s, after his death, to eliminate all political opponents and those whom the state decided 16 THE BEDBUG were parasites working against the success of Soviet society.

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Banned Plays: Censorship Histories of 125 Stage Dramas (Facts on File Library of World Literature) by Dawn B. Sova


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