By Clarence Hudson Richardson
Publication by means of Richardson, Clarence Hudson
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Extra info for An introduction to the calculus of finite differences
6. I have mentioned various multicultural characters. However, as some scholars like M. Thomas Inge have pointed out, Marvel and DC have also used a nonacknowledged multiculturalism to infuse their white characters with substance and power. Peter Parker has powers as Spider-Man, but an Afro-Caribbean spider-trickster genealogy is not included in his narrative, for instance. See Inge’s Comics as Culture. 7. In this interview I conducted with Derek McCulloch, he remarks on how comic books have become less a niche market; while this does not mean that he is able to make a living writing comic books, it does promise to open new doors for exploring all variety of experiences: “Comics are now being taken seriously as both entertainment and literature by a wider cross-section of society than I would have thought possible ten years ago.
7. In this interview I conducted with Derek McCulloch, he remarks on how comic books have become less a niche market; while this does not mean that he is able to make a living writing comic books, it does promise to open new doors for exploring all variety of experiences: “Comics are now being taken seriously as both entertainment and literature by a wider cross-section of society than I would have thought possible ten years ago. ” 8. indb 24 7/15/10 12:51:43 PM MULTICULTUR AL COMICS TODAY book to create iconic characters, adding, though, that he wanted to avoid creating Chesty as a caricature—a woman as stripper as seen in the 1990s avatars of Wonder Woman, Vampirella, and Catwoman.
Not only do comic books touch on all aspects of our everyday life, but the scholarship on comic books is likewise expanding. In their introduction to a special issue on the graphic novel for MFS: Modern Fiction Studies (2006), Hilary Chute and Marianne DeKovan write, “In our current moment, in which an array of new literary and popular genres aim to further the conversation on the vital and multilayered work of narrative, graphic narrative has become part of an expanding literary field, absorbing and redirecting the ideological, formal, and creative energies of contemporary fiction” (“Introduction,” 768).
An introduction to the calculus of finite differences by Clarence Hudson Richardson