By George von der Lippe, V. Reck-Malleczewen
A defining paintings within the "Inner Emigration" literary circulate, Friedrich Reck-Malleczewen's heritage of the Münster Anabaptists was once written in 1937 as a feedback of the Nazi regime. This English translation contains records, scholarly essays, and a close creation.
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Extra info for A History of the Münster Anabaptists: Inner Emigration and the Third Reich: A Critical Edition of Friedrich Reck-Malleczewen’s Bockelson: A Tale of Mass Insanity
13 It appears that he was an homme à la femme, a man who simply needs the constant echo of women in order to satisfy his pastoral craving for admiration; this is indeed borne out by his enormous consumption of women in the later period of polygamy. It is probably this need for admiration and a craving for originality at all costs that sets him on his course. Early on he denounces the baptism of children and indulges in strange changes in the communion rite. As reported by a contemporary, “He broke some rolls in a large dish, poured wine over them, and, after speaking the Lord’s words of communion, told those who wanted the Holy Communion to dig in,” which earned him the nickname “Stutenbernd,” because rolls were called “Stuten” in their language.
For it is the women, in fact the wives of the leading Grossbürger (prosperous upper middle class), who already belong— even back then there were snobs among women—to Rothmann’s most ardent admirers; and later the matadors of the “New Zion” will be asked under torture whether Rothmann, who by then had long since vanished without leaving a trace, might not have used a magic potion to bewitch the ladies. 16 When Bishop Franz von Waldeck ventures to take action against the handsome pastor and the unruly city, Münster launches a retaliatory raid on Christmas Eve 1532 against the pilgrimage site of Telgte, where the clergyman is thought to be staying.
My translation. Page numbers in the text refer to the 1946 edition of the original; all translations are mine. 4. Friedrich Dürrenmatt in his comedy Die Wiedertäufer (The Anabaptists), the second version of his play about the Anabaptists, written in 1966, made ample use of the fact that Bockelson was a playwright. The first version dates from 1946 and is entitled Es steht geschrieben (It Is Written). The Last Sunday Viktoria M. Reck-Malleczewen M ost childhood memories appear to be like those loose Polaroid pictures in book pages.
A History of the Münster Anabaptists: Inner Emigration and the Third Reich: A Critical Edition of Friedrich Reck-Malleczewen’s Bockelson: A Tale of Mass Insanity by George von der Lippe, V. Reck-Malleczewen